E. Passannanti: Eco ed il decentramento del soggetto autoriale dall'opera


Dagli anni Sessanta in poi, una crescente enfasi è stata posta sulla costruzione del significato in senso contestuale e sulla molteplicità di prospettive a disposizione del lettore. 
Il significato di un testo non viene più inteso in senso assoluto ma come risposta individuale condizionata dalla cultura dell'interprete (Eco) radicato nel suo contesto sociale.  Per Eco, l'enfasi deve cadere sulla negoziazione e sul decentramento del soggetto autoriale. Questa prospettiva rappresenta una svolta significativa dalle poetiche romantiche centrate sull’autore in quanto identità dominante sull'opera.
 Il travestitismo letterario di Moravia concede appunto che l’Io dell’autore incontri le realtà esterne di identità di sesso opposto, sociali, storiche, affettive, realizzando un tipo di esperienza complessa dell'Io.

(Fine anteprima)


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“O, never say that I was false of heart”. Love pretence in William Shakespeare's Sonnet 109

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“O, never say that I was false of heart”. Love pretence in William Shakespeare's Sonnet 109 Erminia Passannanti Read the Essay on Academi.Edu   (2) “O, never say that I was false of heart”. Love pretence in William Shakespeare's Sonnet 109 | Erminia Passannanti - Academia.edu O, never say that I was false of heart, Though absence seem’d my flame to qualify, As easy might I from myself depart As from my soul, which in thy breast doth lie: That is my home of love: if I have ranged, Like him that ravels I return again, Just to the time, not with the time exchanged, So that myself bring water for my stain. Never believe, though in my nature reign’d All frailties that besiege all kinds of blood, That it could so preposterously be stain’d, To leave for nothing all thy sum of good;   For nothing this wide universe I call,   Save thou, my rose; in it thou art my all. (William Shakespeare, Sonnets , 1609)
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Biografia

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BIOGRAPHY Erminia Passannanti was educated in Foreign Languages and Literatures (Italian, English, and French) at the University of Salerno (Italy). In 1988, she obtained a First-Class Honours Degree (Cum Magna Laude:100/110 e Lode) from the Faculty of Letters and Philosophy. In 2004, she obtained her first Ph.D. in Italian literature at University College London with a doctoral thesis on the work of Italian poet, literary translator and essayist, Franco Fortini, involving   XXth Century Cultural History, History of Ideas, Poetry and Literary Criticism and Translation Theory.   In 2014 she was granted a second Ph.D. in Social Sciences and Media Communication (Brunel University, England) with a thesis on Italian cinema and religious censorship. In 2000. she won the Italian state competition ("Concorso a cattedra") to become a full school professor. Her research ranges from philosophy of literature, history of ideas, translation studies and film criticism. He ac...
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