Neo Baroque,"Baroque and Realism", my definition


 "Neo-baroque is the rediscovery, exaltation and re-evaluation of the kitsch, it is the attribution to its codes of a scheme of values, and it is indeed the re-activation of these values in the contemporaneity. It is believing in the power of the false, the artifact as being more meaningful of the true." 

(Erminia Passannanti, 2004)

 (As quoted in  Memoire onLine - "
"Baroque and Realism"

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Biografia

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BIOGRAPHY Erminia Passannanti was educated in Foreign Languages and Literatures (Italian, English, and French) at the University of Salerno (Italy). In 1988, she obtained a First-Class Honours Degree (Cum Magna Laude:100/110 e Lode) from the Faculty of Letters and Philosophy. In 2004, she obtained her first Ph.D. in Italian literature at University College London with a doctoral thesis on the work of Italian poet, literary translator and essayist, Franco Fortini, involving   XXth Century Cultural History, History of Ideas, Poetry and Literary Criticism and Translation Theory.   In 2014 she was granted a second Ph.D. in Social Sciences and Media Communication (Brunel University, England) with a thesis on Italian cinema and religious censorship. In 2000. she won the Italian state competition ("Concorso a cattedra") to become a full school professor. Her research ranges from philosophy of literature, history of ideas, translation studies and film criticism. Her a...
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UN POESIA IN MEMORIA DELLA MADRE. tradotta dal poeta e traduttore inglese Peter Dale (2001)

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LUCA LENZINI. INTRODUCTION TO "IL ROVETO"

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  THE IRONY OF ROSES *Introduction to the collection Il Roveto (Troubador ublishing Ltd.,, 2005) by Luca Lenzini ABSTRACT: In his introduction to Il Roveto , Italian literary critic Luca Lenzini explores the intersection of experimental poetry and the New Baroque, tracing the collection’s distinctive logic as it weaves together diverse linguistic registers. We invite you to consider how this hybridized lyric idiom challenges conventional poetic boundaries and gestures toward a new form of cultural and poetic dialogue. Critical discourse around the poetry of Erminia Passannanti has largely mobilized conceptual categories rooted in twentieth-century modernism: surrealism, dreamwork, the fragmentation of the self. These terms are not misapplied. On the contrary, they touch upon some of the deeper currents animating her poetics—manifest also in Il Roveto —which unfold in a liminal zone between reality and imagination, between the unconscious and rational cognition, wherein th...
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