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LUCA LENZINI. INTRODUCTION TO "IL ROVETO"

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  THE IRONY OF ROSES *Introduction to the collection Il Roveto (Troubador ublishing Ltd.,, 2005) by Luca Lenzini ABSTRACT: In his introduction to Il Roveto , Italian literary critic Luca Lenzini explores the intersection of experimental poetry and the New Baroque, tracing the collection’s distinctive logic as it weaves together diverse linguistic registers. We invite you to consider how this hybridized lyric idiom challenges conventional poetic boundaries and gestures toward a new form of cultural and poetic dialogue. Critical discourse around the poetry of Erminia Passannanti has largely mobilized conceptual categories rooted in twentieth-century modernism: surrealism, dreamwork, the fragmentation of the self. These terms are not misapplied. On the contrary, they touch upon some of the deeper currents animating her poetics—manifest also in Il Roveto —which unfold in a liminal zone between reality and imagination, between the unconscious and rational cognition, wherein th...
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Biografia

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BIOGRAPHY Erminia Passannanti was educated in Foreign Languages and Literatures (Italian, English, and French) at the University of Salerno (Italy). In 1988, she obtained a First-Class Honours Degree (Cum Magna Laude:100/110 e Lode) from the Faculty of Letters and Philosophy. In 2004, she obtained her first Ph.D. in Italian literature at University College London with a doctoral thesis on the work of Italian poet, literary translator and essayist, Franco Fortini, involving   XXth Century Cultural History, History of Ideas, Poetry and Literary Criticism and Translation Theory.   In 2014 she was granted a second Ph.D. in Social Sciences and Media Communication (Brunel University, England) with a thesis on Italian cinema and religious censorship. In 2000. she won the Italian state competition ("Concorso a cattedra") to become a full school professor. Her research ranges from philosophy of literature, history of ideas, translation studies and film criticism. Her a...
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POESIA “Mise-en-abyme”

  POESIA “Mise-en-abyme” Disse una menzogna lieve: ogni parola detta divenne uno specchio, ogni specchio generò un altro specchio che all’infinito ripeteva il nesso. Così l’uomo, per non guardarsi in volto, visse nella copia di se stesso: un corridoio d’immagini che moltiplicava ogni suo gesto e nessuno di quei volti era più il suo vero volto. Alla fine non ricordò se la menzogna fosse nata per paura, per gioco, o distrazione. Erminia Passannanti --------------------------------------- **Erminia Passannanti, "Mise-en-abyme" Saggio di analisi testuale con apparato critico** - Premessa metodologica Il presente contributo si propone di analizzare la poesia "Mise-en-abyme", di Erminia Passannanti attraverso una metodologia rigorosamente testuale, evitando ogni sovrapposizione biografica, psicologica o simbolica non supportata dal testo. L’analisi farà riferimento ai dispositivi formali e semantico–strutturali che governano la poesia, collocandola nel quadro più a...
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